MUSHROOM MONSTER ZBRUSH TO BLENDER WORKFLOW

 MUSHROOM CREATURE PROCESS:

© 2021, Aniket S Bharati Art

Back in 2021, I took on the Sculptober Mushroom Monster challenge by Artistsay on Instagram, and this eerie, otherworldly creature was my submission. I wanted to create something that felt both organic and unsettling something that looked like it had evolved in the depths of an alien fungal forest. 

My workflow for this piece started in ZBrush, where I sculpted every detail, from the stretched skin to the ridged mushroom-like cap. I focused on making the anatomy feel distorted yet plausible, like a fusion of humanoid and fungal growths. Once the sculpt was done, I moved the project into Blender Cycles 9.2 for rendering, ensuring the lighting and materials captured the eerie glow I envisioned. Finally, I brought the render into Photoshop for post-processing, tweaking colors, enhancing the glow, and refining the overall composition.

© 2021, Aniket S Bharati Art

The Overall Workflow consisted of-

Zbrush- Sculpting, Detailing, and Polypaint.

Blender- Look Development and Rendering.

Photoshop- UV editing, and final Touches



This project pushed my skills in sculpting, texturing, and rendering, and I’m really proud of how it turned out. Hope you like it too!



CHECK OUT THE IN DEPTH BREAKDOWN ON ARTSTATION-

Mushroom Monster Breakdown!!


Comments

Post a Comment

Popular posts from this blog

ALDABRA GIANT TORTOISE- A LEAP INTO ORGANIC SCULPTING

Image
STRUGGLE FOR REALISM                     Organic Sculpting: © 2022 , Aniket S Bharati In 2022, I had the curiosity to try something new, and this fire for details and realism lead me to creating this Aldabra Giant Tortoise.  I’ve spent a long time working on this piece, pushing my skills to the limit to capture as much detail as possible. My goal was to challenge myself in organic modeling, and this project has been both rewarding and fun. I used ZBrush for sculpting and texturing, allowing me to refine intricate details like the tortoise’s rough skin and rugged shell. Rendering in Blender brought everything to life with realistic lighting and depth, while compositing in Photoshop helped fine-tune the final look. Every wrinkle, scale, and texture was carefully crafted to make the tortoise feel as lifelike as possible. © 2022 , Aniket S Bharati Art he Overall Workflow consisted of- Zbrush- Sculpting, Detailing, and Polypaint...
Read more

VAMPIRE TROLL (Realtime Bust) Process

Image
REAL TIME BUST FOR A VAMPIRE TROLL: © 2020 , Aniket S Bharati Art Made using Zbrush, Blender, and Photoshop , this is my Vampire Troll creature concept. It was 2020, and I was trying to still learn the process of modelling to create game/film creatures, and during my learning curve I found myself to like the Zbrush to Blender workflow, not only because other softwares were expensive,  but also because I get to test my characters in Realtime using Eevee, The new Blender Engine at that time for faster rendering.  Although not comparable to the Unreal Engine. Eevee provides just enough power to visualize your final renders. In Addition to this creature bust being my first Zbrush to Blender Project, it was the start of my professional workflow, after this project I utilized this process for every character I have made, making it simpler for me to visualize and create characters with precision. © 2020 , Aniket S Bharati Art The Overall Workflow consisted of- Zbrush- Sculpting...
Read more